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Eustache Le Sueur
French Baroque Era Painter, 1616-1655.
French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts, dated engravings after his paintings and the list of works published by Le Comte in 1700. Related Paintings of Eustache Le Sueur :. | Melpomene Erato et Polymnie | A Gathering of Friends | Clio Euterpe and Thalia | Meplomene Erato und Polymnia | Melpomene, Erato and Polymnia | Related Artists: Asta Norregaardimpression artist
1853-1933 Jacek Mierzejewskipainted Polonia in 1915 Robert Alexander Hillingford (1825-1904) was an English painter. He specialized in historical pictures, often battle scenes.
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He was born in London on January 28, 1828, and studied in Desseldorf in 1841 for five years and before traveling to Munich, Rome, Florence and Naples, where he married and worked for several years, producing paintings of Italian life. One painting from this period entitled The Last Evening of the Carnival was exhibited at St. Petersburg in 1859. He returned to London in 1864, and first exhibited at the Royal Academy in 1866; it was at this time that he began to work on historical subjects, especially of the Napoleonic Wars. He was a regular exhibitor at the Royal Academy, British Institution and at other galleries. While he was attracted to costume pieces such as An incident in the early life of Louis XIV and During the wanderings of Charles Edward Stuart', he also included some contemporary military scenes including his 1901 RA painting South Africa, 1901 - The Dawn of Peace.
Wellington at Waterloo
Lord Hill invites the last remnants of the French Imperial Guard to surrenderThe original paintings often come up at auction, and, with a large amount of the collection dispersed in 1998, the original paintings are widely scattered.
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All the Edouard Vuillard's Oil Paintings
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